When Greg ran electrical wire through the walls
he never imagined the despondency
a place could come to know.
A paltry collection plate.
Purple stains blearing the cement floors.
The worshippers–a meager constituency–
casting the ballots of their prayers.
How the halls once rang with the hard freight of their voices.
A trip to Africa, thirteen souls won over,
inviting into themselves death of flesh
and resurrection of the soul.
Had they squandered the ceremony?
Stomped larkspur, purple-blue petals like wet receipts,
requisite for the faith they shed
for an indivisible law.
Even then, Greg wore a buffalo gun on his hip.
His lapel turned against the wind
but bearing colors of his love of country.
Jade and opal bruised his chest
where the kick left its mark
after he took that woman to the river.
Along the gravel bars they cast off their clothes
and in the silt of the river found crawdad claws and dead minnows.
They found in the unkempt banks
a hollow, a stone, a dead tree
on which a wasting raconteur might rest his head
unfolding for her a bullet at a time the turns
of his undulating faith, a faith that could tear holes
through stump, cloud, decorum all alike.
They drug him before the elder board after the affair.
They called him Hitler of Madison County, turning
the minds of the youth
and he couldn’t stop laughing.
His wide grin, that cradle of iniquity.
Castigated, cast out, Greg’s shadow
no longer slanting the back row.
Back home Greg sends bullet after bullet into the sky.
Who isn’t a martyr for love?
If he aims just right
he might wing a turkey vulture.
Its squawking might turn in such velocity
to a wonky note of praise.
Having never known angel song
he lifts his gun to his eye
the entire breadth of sky
shrunk to the end of his barrel.
Z.D. HARROD, a queer poet, graduated from the University of Arkansas’s MFA program where he served as a founding poetry editor for the Arkansas International. He received the Walton Fellowship in addition to a scholarship to attend the Sewanee Writers Conference. His poetry appears in The Southwest Review, The Nashville Review, The Cimarron Review, and elsewhere. He teaches English Literature and Creative Writing at Haas Hall Academy in Rogers, Arkansas.