Wonder
Sprigs reclaim rights, the new shoots through Maple-solid rock.
This tenderness is a title we too shall own grass-scrappy as rams
on mountains. I may bang my goat head against you or the earth
yet have a centaur’s recollection for the joy of brooks.
Now frolic in the rain even if mudslides don’t jive
with the original beauty found.
Later, in apparent stillness, inches are bound to return,
taking a toe-hold to become an ocean of viridian stalks.
Amazing the faith saving wretches lost in briar sojourns
as roses, unaware.
But a prick may seize & with the blood, wondrous love flow out
sense by sense.
For us buds anyway, such is what I wish.
Road Dreams
Folds envelop them:
green canyons, split granite, round
cloud-shadowed outcroppings…
At this rate the rain will never catch up to us.
Highways spiral, reveal distant raisins on each turn,
vehicular fruit, wandering wrecks.
What’s that ahead?
The sun’s black oil mirages
invites some seized-upon fantasy.
Suddenly lemurs dangle from trees,
swoop down upon lobsters clacking
with wound-up teeth.
We hit the curve. This image dissolves.
Tunnels come, an overpass as child’s play maps
caves, valleys, hills, the road stretching as a game.
Who’s that in the next car?
Eyes merge, imagine lives, identities close by.
We become them and they the couple in a pick-up
two lanes to the left, a pair of Luncheonette Regulars,
these gentle, older, tea and toast kin crushed by flack,
what survival demands and yet, unaware,
breathing on.
Vigilance
These streets are heartbeats & the whole town an ultrasound.
I am walking to feel your calls. I am listening
as a homing pitch with a magnet’s tractor beams.
Yes, miner-true I roam as a night nurse
amid the flickering instruments,
the sighing supine shapes.
Perhaps too these roads, these rooms
form the largest of greenhouses & every plant is a kid.
Ah, the eternal maternity to nurture, sowing love
in front of bullets, the ravens flapping, the swords…..
Darling, hook & line—–
Here is the pulse of sea spit & salty sweat.
Here is the seminal seed beating from our tongues, our flesh,
& I cannot stop hearing, cannot but keep
all senses peeled.
STEPHEN MEAD is a resident artist/curator for The Chroma Museum, which features artistic renderings of LGBTQI historical figures, organizations and allies predominantly before Stonewall. He is a retiree whom, throughout all his pretty non-glamorous jobs still found time for writing poetry/essays and creating art. Occasionally he even got paid of this. Currently he is trying to sell his 40-year backlog of unsold art before he pops his cogs.